
We lost a good one + group project nightmares
Bypass: Music Industry News for Independent Artists
Friday edition • 3 min read
Nina Protocol Did Everything Right. It Closed Anyway
What's Up
Nina Protocol is shutting down. A moment of silence… For those who don't know, Nina was a platform that did right by indies. They started with a dream: 100% revenue for artists, real people picking real music. Five years later, that dream's dead.
So What
The platforms that treat you the worst are the ones raking in billions. And there's a reason for that. People don't pay for something because it's fair to artists. They pay for something that benefits them. Nina wasn't built for fans, and that's what killed it. Bandcamp exists because fans want to collect music. Qobuz is for audiophiles. These platforms are fair to artists, too, but that's just icing.
Now What
If you're on Nina, you've got six weeks to pull your releases and earnings.
Everything's rented. Platforms die; rights get revoked. The one thing you truly own is your relationship with your fans.
A Bankruptcy Just Cost 2 Live Crew Their Masters
What's Up
2 Live Crew almost pulled off the rarest trick in music: getting their masters back. They were so close. After years of fighting, they finally got their catalog back in 2024. Then the whole thing collapsed, and it didn't have anything to do with music. One member's personal bankruptcy cost them everything.
So What
We're not lawyers, so we'll skip the legal stuff. But we'll say this: in a group, you're only as strong as your weakest link. The second you own something together, you're tied to everyone else's mess. 2 Live Crew got blindsided because the weak spot was somewhere they weren't even looking.
Now What
There's no real fix for this one, so consider this a heads-up. When you work with other people, their problems can be your problem.
Getting Your ISRCs Just Got Easier. No Excuses
What's Up
OK, let's get to the "boring" stuff. But stick with this one; it's about money. SoundExchange and the IFPI just made it way easier to grab an ISRC (International Standard Recording Code) online, instantly.
So What
Think of ISRCs as your songs' fingerprints. That's how platforms track your music and make sure royalties find their way back to you. Starting to get interesting, right?
Now What
If you're self-releasing and haven't checked whether your songs have ISRCs, what are you waiting for? Check now. And if you need to, register directly at isrc.ifpi.org.
That's it, that's your chore for the day.
While You Were Making Music…
Today's edition by Jordan F.
For indies who ship music, not excuses.
Related News & Guides

Radio lives + go claim your royalties
Independent artists with unclaimed neighboring rights royalties can register with SoundExchange to collect earnings from recorded music airplay. Bookers and labels now use ChatGPT to discover artists, making scattered or missing online metadata a barrier to recommendations. College radio and community stations remain active outlets for independent artists seeking airplay through targeted personal pitches.

1 song + posting all year = 24M streams
Bandcamp laid off most of its engineers, prompting artists to consider alternatives, but the platform's dedicated buyer community remains unique. Dark-pop artist Jared Benjamin posted his song "Flatline" every day for a year, accumulating 24 million Spotify streams with 90% of viewers seeing him for the first time. YouTube Shorts added photo posts supporting up to 10 images with music, though the feature is currently limited to eligible creators.