
Free DAW + why virality is a trap
Bypass: Music Industry News for Independent Artists
Thursday edition - 2 min read
TikTok Launches Location-Based Discovery
What’s Up
Your fans can stalk you now. Relax, you want this.
TikTok’s new opt-in Local Feed allows users to view content based on their real-time location. It's designed for local events, businesses, restaurants, and creators.
So What
Do we have to spell out how massive this is for promoting local shows? Local Feed is like having your own corner of TikTok. You don’t have to rely on the algorithm to push your content to the right city.
Timing matters here, too. The fresher the posts, the better.
Now What
Post announcements the night before or the day of a show. TikTok didn’t say whether geotagging works, but test it out anyway. Make sure you’re there when someone opens up the app looking for something to do.
Can't Afford Ableton? Use This Instead
What’s Up
A new day, a new DAW. And this one runs in your browser.
Audiotool rolled out a new version of its browser-based DAW with some pretty cool features: real-time collaboration and, the coolest part, an open API called NEXUS. It's completely free, runs in any browser, and already has 300,000 monthly users.
So What
Want to build your own instruments? NEXUS lets devs (or you with vibe coding) build custom instruments and effects that’ll work directly in the DAW. Plus, with the multiplayer feature, you can collaborate on beats in real time with anyone, anywhere. Like Google Docs, but for music.
Bonus: Spitfire Audio's LABS plugin is already integrated, with more tools coming.
Now What
Try it out at new.audiotool.com. For anyone just starting out who can't afford Logic, here's your entry point.
Viral Doesn’t Build Careers
What's Up
Out of 6 million tracks, only 1.14% of indie songs went viral. That’s a report from Duetti, and it’s brutal. Want more brutal stats? Just 0.17% stayed viral after three months. Those were the hare. Songs with slow growth were like the tortoise. They were actually 60% more likely to outlive the hype cycle.
So What
Social media is all about chasing trends and moments. You know, appeasing the almighty algorithm and such. But for 99% of artists, chasing trends ends the same way: a fast rise, but an even faster fall-off. It’s like hitting the gym. Steady growth builds something you can stand on.
Now What
Play the long game. You'll see people pop off and disappear just as fast. Chances are, those viral moments won’t be popular next year. Focus on building something real and building a loyal fanbase. Be the tortoise, my friend.
While You Were Making Music...
🧠 Spotify says its developers don’t really write code anymore [so if the app breaks, blame AI]
Today's edition by Jordan F. For indies who ship music, not excuses.
Related News & Guides

Bad week to own a song or a Songkick account
The U.S. Copyright Office proposed a 43% increase in copyright registration fees, drawing pushback from A2IM and indie music advocates. AI company Suno acquired Songkick, transferring user account data, concert history, and Spotify listening habits to a company facing copyright infringement lawsuits from UMG and Sony. Ticketmaster maps are filling with empty blue dots as unsold tickets and cancelled tours signal fan resistance to high ticket prices.

Superfan subs are dead + re-uploaders beware
Instagram is suppressing reach on reposted carousel and photo content, expanding its 2024 crackdown on unoriginal Reels to all post formats. Analyst Cherie Hu at Water & Music reports the superfan subscription model is effectively dead, citing mismatched artist release cycles and fan spending patterns. TuneCore announced it will not distribute AI-generated tracks from unlicensed platforms, naming Suno specifically, while parent company Believe is pushing major DSPs to follow the same policy.