
Better YouTube tools + being human still matters
Bypass: Music Industry News for Independent Artists
Tuesday edition • 3 min read
And The Award For "Actually Useful" Tools Goes To…
What's Up
YouTube's going hard on helping you blow up. You probably already know about A/B testing (and yeah, it's widely available now), but they dropped some features you might want to catch up on. Features like collab tags and a Practice Mode, where you rehearse your livestreams before going live.
So What
A/B testing alone isn't something to ignore. First impressions are everything, and on YouTube, your thumbnail is your first impression. It literally could mean the difference between 100 views and 10k views.
And then there are collaboration tags. We're talking about free exposure. Get featured on someone else's video, and you'll see your name right next to theirs.
Now What
Turn on A/B testing for your next uploads. And give collab tags a shot where it counts.
Gen Z's Not So Happy About AI
What's Up
Who's going to tell the guys at Suno? Gen Z does not like AI. And at this point… were they ever supposed to?
A new Gallup poll shows excitement dropping from 36% to 21% in just one year. And they're not just indifferent—anger jumped up from 22% to 31%.
So What
Gen Z is your audience, and they're tired of hearing "AI this, AI that" everywhere they look. Meanwhile, we have Suno's CEO saying, "People don't enjoy making music." Yeah… no, you're out of touch, bud.
Now What
You've got one thing AI can't fake: human creativity. Show your work and don't skip the process.
Gen Z has spoken. Stay human.
Streaming. You Can't Live With It, But You Can't Live Without It
What's Up
A new independent study from the Oxford Internet Institute and researchers at the University of Groningen in the Netherlands looked at how musicians across five different countries feel about streaming.
Yeah, we know. Another study, right? But stick with this one. You might feel better by the end.
So What
Artists from the Netherlands, Nigeria, South Korea, Brazil, and Chile all considered streaming to be "important". No, they didn't lose their minds. They rely on it for visibility, promotion, audience interaction, and staying relevant. Which, when you think about it, makes sense.
And don't worry, they didn't suddenly start loving the payouts either.
Another thing the musicians made clear: AI isn't replacing artists anytime soon. Why? Oh, a couple of reasons. It's got no soul, no authenticity… and good luck sending it on tours.
Now What
Right now, the only thing streaming is useful for is exposure. Take advantage of that. Build your email list and own your audience.
While You Were Making Music…
🥷 HYBE targets bootleg BTS merch before US tour [no comeback's complete without a bit of bootleg]
👀 Latin Music hits $1 billion in US wholesale revenue in 2025 [guess we should thank Bad Bunny]
Today's edition by Jordan F.
For indies who ship music, not excuses.
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Fakes are outstreaming real bands
Mexican pop artist Nathan Bank sold out his first headline show in Mexico City by turning his ticket link into a fan matchmaking game that generated 4,100 comments. Google Alerts offers independent artists a free tool to monitor their name online and catch unauthorized listings or misspellings in real time. Philly folk duo Makeshift Hammer had their entire album pitch-shifted and re-uploaded on Spotify as a fake artist, with the counterfeit tracks pulling 50,000 plays per track versus their own 1,000 to 2,000.

Radio lives + go claim your royalties
Independent artists with unclaimed neighboring rights royalties can register with SoundExchange to collect earnings from recorded music airplay. Bookers and labels now use ChatGPT to discover artists, making scattered or missing online metadata a barrier to recommendations. College radio and community stations remain active outlets for independent artists seeking airplay through targeted personal pitches.